Charles Pennequin et Armée Noire

Blog Armée Noire

 

 

JE PUS

Dans
20/03/2012 - 20:25

 (texte pour Dominique Jégou)

 

 

 

je pus

je pus mais

je pus peu

j’aurais pu pouvoir

j’ai même bien pu un peu

mais je pus toujours que peu

toujours trop peu je pus

et maintenant tout pareil

pareil maintenant que le pus d’hier

le pus peu et le peu plus

pas plus

le peu qu’il put pas plus que le peut peu

ou : pus peu

pus peu pas plus

car le peut peu encore moins

que du pus peu peut-être

pas pus plus hier

et moins que demain

moins de peut peu ou pas trop plus

j’ai pas trop plus de peu

que quand j’avais pu peu

tout ça trop peu

et aujourd’hui

aujourd’hui je peux peu tout pareil

voire pire

c’est pire que quand je pouvais peu

car quand je pouvais peu déjà

j’en pouvais plus

déjà quand je pus peu

j’avais conscience de tout ce peu

qui pourrait moins

encore bien moins

que le pus peu d’hier

tout le pourra de demain

car déjà aujourd’hui

j’en suis réduit à très peu de peu

aujourd’hui je peux encore moins que peu

aujourd’hui c’est peau de balle

si on veut plus que peu

même moins que peu on pourrait plus

on peut déjà presque plus

on est rendu au moins que pis

et c’est à prendre ou à laisser

et ça laisse peu de place à plus

et déjà c’est plus que peu

c’est plus que peu et c’est pas peu de le dire

trait de casquette

28/02/2012 - 23:51

Oeil gauche. Le faisceau te la rabat. Pochade. Oeillière lumière. Flipper. Rabattu le champ. Flicker, vibrateur, en remplacement. Remplacement du marteau, de l'enfonceur, de l'engobeur, de l'entubage in, de ma gueule grande ouverte, des dents lissés par pâte qui se pousse dans le tube, en longueur qui te glisse en, qu'on te fourre en, qu'on te gave avec dans, fini, les orifices attaqués à sec. On fait battre aux commissures. On taze ni vu ni connu, on flicke tes bordures. Surface vibratile? Surface vibre-t-elle? Scintillement, girophrasé, hâchure-liqueur, glisseur, hétéroglisseur, être isolé entre deux souffles, jamais de grande prise de souffle, contriction comme devoir, devoir être, sympa, merci! pompe cardiaque sans vomissures, pas de rejet, qu'un maintien, l'ordre isolant, camisolant, d'ondes fluctuantes. Rytmiques, influx, couleuvres, les oeils indistingués, flous, poches aqueuses, une pression sur toutes les membranes, corps, tissus, peau céllophanée, suffocation, avec un mouvement, l'ensoufflement. On te laisse entre. On t'affame l'entre, ce qu'il faut, on te charge, on t'empêche tout, que les caves, fond de parking pommes dans les poires, poires en citrouille, pastèque du 20ème lâchée. Moi j'aime la pastèque. Sourire de pastèque, pépin partout, écrin d'accroc, je construis dans le manque. Petit chapeau de colporteur arabe, déjà la bonne conscience, le maintien de l'autre côté. Postalisé en carte. Ô Mediterranée! Plus doux, moins d'humiliation, mais plus d'humilité. Trop. Etre de l'autre bord. Ghetto usé. Bien placé. Effrayé, on tape, on remonte, on rajoute, on rempile. Casquettes se casquent en ombre. Ombre individuation Dé-. Tout se démet. Oeil individuel, on se laisse drone au sol : Unmanned Ground Vehicle. Fatalisé. Mortal ton combat, mais pas assez tout de même, on réanime ce qui faut, juste. Cadeau de trou, confins, on te géôle, en spray moutarde. bonne app'! On te chenile en boucle. Hotdog, tu te mords ton bout, tu boues de ta queue, devenir-bouffe. Irritabilité maximum, bras défait, queue en deux oubliée. On s'oublie, on se double, se divise, deux yeux s'oublient, les faisceaux, hapnée de l'un, dénucléation, scission. On se bi-, sans rapport. Je me double face, les deux face du face to face. Comme un grand faut fission, fissa. Le flic on se le danse. En-dedans, un peu dehors. Se rendre fissible, point-contact-extrêmités-rejet au centre. Ca écartèle. We have a near-life experience. Point de différence. Crash. Point de conflit. Plan fend plan, plan traverse plan, ça coupe, ça chute, on fend, on trace l'entre, on voit le front, ça se dessine, division, dialectique, on altère par touches, coups, tête contre vitre, écrasement, grimaçage, Vienne à moi lame. Je tranche. Vertige, chute. L'important c'est la chute, pas l'atterissage. Pas de suicide. Suicide du rapport. Défenestré le rapport, défénestrer la mesure, l'adéquation, la position, le qualificatif, déqualifier, sans re-, ou re- successif pour te mettre en contraction. On se disqualifie en attaque. Je me contredis, pour nous contrarier. Salva la faille! Désalver. Faux salvage. Salive de la chute, chimie dans la bouche, on isole, on fait des vides, par pression, fumette, fumette violente, on retire, on asphyxie, on fait le vide, sous vide. Le monde les sloques se les montrent. Voir la limite, montrer la différence, comme l'illimité appelle le contact, la mort dramatise la vie, la fissure, à vif, coup dans la plaie. Couteau tiré.

Enfant nain

28/02/2012 - 15:00

Une chanson qui chante. Avec François Audemar.

 

 

chute.jpg

LA ALHAMBRA avec la batterie de Gilles Campaux

12/02/2012 - 21:30

°°°° ET ENCORE °°°

NO TOMB FOR MESRINE - TRADUCTION THOMA SIDOLI

17/01/2012 - 19:54

That’s it for me it’s over, I can’t find it his vault and anyway I don’t give a shit, I don’t give a shit I’ve been walking for hours in this shitty cemetery, and the publishers who had asked me to take care of his case, the paper undertakers behind their desks and who write to tell me they love my work, the publishers loaded with their low-brow works and who adore my work, have given up on the project. They like my work a lot but find that it isn’t romanticized enough, good old cursivity as they say, good old soup, that’s what they want the publishers who love my work, but ask something else of me, because they prefer to publish things they don’t like, it’s not good to like the things we publish, we like it but it’s not good, we mustn’t. That’s what they say the publishers who had contracted me for a tomb. I had to redo him his tomb for Mesrine, as you would redo his portrait, or recover him his health, to put him in a tomb at last worthy of him in any case, a thing with all the cemetery of thought around it, but no. The good old soup as they say, the good old cursive thing, the good cursive wank, the cursive incursion into the novel for arseholes, that’s what they want behind their desks the publishers who just looove my work. They don’t want us to hole their arse for them, that we redo their arsehole for them. All they want is that we take it nice and deep, the good old cursive thought of the good daddy-novel, the good paternalistic wank, the good cursive arse bang, “cornysivity” as they say, that’s what we need, that’s what they want, even if they just looove my work as they say, frankly they love it but well here no, ah no we can’t here, oh here no danger that we fuck each other up the arse, oh here no danger that we screw you from behind madam, because yes madam, they walk a thousand steps that lead nowhere, they’re behind their desks, they’re publishers and they’re behind their keyboards with a hand on their dicks, they’re there asking themselves why we want to bash them one, oh that, whereas they, they want some novel, they want some cornysivity thing viable for the generalized buggery, the good old family thing, they want that even for Mesrine, and so what? They want a decent and dignified burial, with beautiful alleys, they want flowers, wreaths, some what-d’you’call-it as per usual, things as per usual, a good idea to piss people off, that’s what we want the publishers say, to really piss people off! But make us give a shit certainly not, oh no certainly not give our little crowd the craps, oh leave our little crowd underground there, well buried the desires of the little crowd, the lower classes of our desires well buried under the pretty alleys, the straight lines, tidied thoughts all wrapped up in a nice bouquet, and with no dirty tricks inside, no dirty tricks even for Mesrine, Mesrine he died among the lower classes, the crooked lower classes Mesrine he’s been put away with the inlaws, the good daddy-novel with it’s pretty girls, the daddies the girls but no arse fucking in the cemetery please, no public buggery please, go and do that somewhere else, no settling of scores with the pox-ridden publisher of publishing no, no explanations to give to the little half-pint of novels, just a stab in the back hup!, just a little stab of the contract hup, just a little bang in my tight little arse, come here little arsehole, come here you little queer writer you little fuck-up, you little shit come here and get your arse scraped out by the publishing world come, come and take a good one, we’re going to publish you you’ll see you little shit hole, little shitty thing, your life isn’t writing, your life is publishing, is the author, the published author, little tight arse tight-fitting trouser wearing author, nice cock shape nice quill, the shape the sheath the little quill, the good quill in the shape of the moment, the good mummy-shape come, come and take a narrative squirt in your face you who want to live, living is writing, living is life, life is violence, life is piled-up shit you little arsehole, your second tight little hole in your tight arse, it’s you, it’s you whose piled-up deep in the author’s arse, and the author squeezes his bum-cheeks, the author has squeezed his willie well against the publishing of my arse, and the publishing of my arse has once again decided to throttle everyone, because literature isn’t life, literature is squeezing willies, it’s contracts and being given a good telling off, publishing isn’t violence, violence is only up your arse you little deconstructed shit, has anyone already seen such a little shit deconstruct itself, has anyone already seen such a thing, it’s only up your little arse that freedom exists you little shit, it’s only in the smashed-up shit deep down in your thought that you exist, you are going to need to toe the line now, and toeing the line means taking smacks in the mouth my little dear, toeing the line in the alley of thought you little half-pint, you little melody for placing somebody in a coffin, we have placed thought in a coffin, we have shoved something up it you know where, come here little loser, come here, who did you want to sort out, whose portrait do you want us to sort out, we’re the ones who are going to sort out your little writer’s face, and kindly too, little tenderness, my little tender thing, my tender and sweet tenderness, my all tender little screw-up, I twist your tender, you little smoothy, tiny little smoothness my little end that I twist you, I twist you again you all tender little screw-up, little thing just as well drunk, little end all drunk and that I twist just as much, my little end, my tender little thing, my little tender thing my all drunk tenderness, my work, the work is drunk, the wine is drawn, come here little nutcase that I twist you some more, that I rearrange your portrait, and bend it, and smash its face, and that I make many faces from your face, my all plump little tender thing, all grimy little plump all in skin in a toad, all crapped and chewy, you tiny little beak end, come here my little mug, come here that I tinker with your mug, you creased up little being hahah, come here that I belt you one, that I smack your mouth, and that you be starving you little bird of misfortune, little thing end, come here that I break you in two, that I screw your arse you little shit, and that I belt you once more, and then twice, and then twice more, and that I belt you until you can’t take it anymore, it’s my round, you’re going to drink up you little fuck, little funny thing that you are, you really thought you were something else for few minutes, for a few minutes you were walking down the alley, the sun was out the weather was nice, nice weather to go for a walk, even if it rains I go for a walk I’m scared of nothing, I’m walking in the sun soaked alley, nice weather, it rains then it’s nice, as a result I am having ideas, I am going to write I am going to think, I think about a heap of things that could happen to me in my head, all these things that happen to me and it works, the head works fine you little queer, you really thought you were something else for a few minutes you little arsehole, in a few minutes you remade the world, and then the world dropped you, all of a sudden nothing under your feet, nothing left to answer back, nothing left to think all of a sudden the great emptiness, a good shovelful of earth on your face, and still you thought you had things to say, but there nothing left, nothing but emptiness and shoving yourself back in, as per usual, you could see life clearly in the alley, you could feel the present, the uncontrollable present, for the present is uncontrollable you were thinking to yourself, the present is uncontrollable my arse, the proof of it yes the proof, there you took a good hit in the eyes of the uncontrollable, the uncontrollable present my arse, the incurable present my arse, uncontrollable my arse, the present impossible to miss oh that yes, oh that my arse yes, the ungorable present oh that, you repeated it to yourself each one louder than the other your present, your ungored present of not five minutes ago, you couldn’t guess it would backfire, you couldn’t guess the uncontrolled backfire up your arse, that is all you needed today, a good uncontrollable present and all up your arse, today you were telling yourself I would really like to live the uncontrolled, and I’ll pass a thousand people, yeah it’s happy little crowd this, yeah people seem happy, yeah sometimes people,  sometimes no sometimes a little sometimes yes very, very happy that they are, are they? Are they really happy? Not all art makes people happy, not all art makes life happy I thought to myself, not all art is contentment, all art takes life as fat or lean, whereas life isn’t fat but lean, lean with the fat missing, but art makes us love the lean, that’s the essential thing, and the essential is in lactel[1], that’s what I was told once, someone corrected me because I had spoken of the essential, and someone retorted the essential, charles, is in lactel, once again they had shut me up well and good, like today, today they’re shutting me up with the present, the present is in the rain today, and yet it is nice, yet the weather is nice, nice weather to walk up the alleys yet, for a few minutes I believed it, I believed the world was well since I was well, and that it was nice, that the weather in the alleys was nice, but I was well because things aren’t going well, things aren’t going well for the people who are well I thought to myself, it would be good to have an argument with everyone we pass, to get angry with a thousand people around us, a good thousand, a barrelful of people which would  charge down, and we would get angry, we would be red with anger, throats would swell, we would knock back our rage, it would make everything swell, we would feel like a quarrel inside us, something rising up, like an adrenaline rush yeah, and all hell would brake loose in the streets, or in the pubs, the cinemas, the places open or shut, everywhere people with their teeth showing ready to bite, but it would be me who would bite the most, everywhere people who would be good only for being told off  and bitten and why? Why should we get landed with arguments with people now straight away, to tell them it is no longer possible to live in their fashion, their fashion is over, the fashion of when it’s them: not much left.  They can all believe in what they want and hang on as best they can to what they want, like their fashion, they can what they can and hang on as best they can to their fashion of them, they want to and they can, they want some power and will, these are desperate attempts people, because it is tempting not to despair, but everything is despairing and we need to hiss it, to hiss the desperation, that is what we need to tell the people we are telling you off for the good cause, keep going, the more you talk about it the more I’ll shut your mouth arse-face, no? No you won’t shut your arse-face? Your arse onion face ready to peel, all the peeled onion skins no? That’s what we shout in their ear, we make something like the noise of a creaking door in their ear, we clean the brains out, we shout animal songs in people’s ears, that’s all that’s left to do, there’s nothing else for it, enough of the nice words I read on bits of paper, enough of all the words of you culturally concerned people, now we need to bark in people’s ears, it’s the concept of now, it’s conceptafarted for now, for now is a time in full flicker, for now is a time covered in mud and in the mud a bone, or something hard, in the mud of all the fashion of how to live, there is now some one who says nothing of how to live, and that we must live, live the not how to live, live the je ne sais quoi which is written nowhere, nowhere opposite, not on my desk, not on the forthcoming problems, the problems of how to live, the problems of how to pay, and how we are going to manage to pay, all the problems of how things will be in a month, or two, or three, in three months we won’t know how to pay anymore, in three months the streets, in three months or less, maybe a month in the streets, a little month to wait until the streets and really bark, the street to me and me barking, and I’ll bark until they give me something, if they give I’ll stop, I’ll be told I’m not allowed to bark at people like that, you need a badge, if you want the badge it’s a big white badge and you can do your barking job, but here all is privatised, the street is privatised, the public spaces are privatised, the seats everything, the benches there are no more benches, you do not read your sheets of paper on a bench because there are no benches and on the floor neither, on the floor is privatised, you cannot sit on the floor, everything privatised, bricks posters shop windows neons landings tiles metal frames are privatised, therefore what you need is a badge.



[1] Translator’s note : reference to a French milk commercial. 

pauvros - ça veut dire quoi causer

16/01/2012 - 18:47

 avec jf pauvros 

pour Causer la france (prise directe)

poème sonore

16/01/2012 - 18:44

 avec jf pauvros

nous sommes des chiens

16/01/2012 - 18:42

 avec Cécile Duval

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